





Born in the city of San Luis, Lafarge is a talented young man who travels beyond his godfather and puts his ears and soul between the 20s and 50s of the American musical sea. In this way, it is soaked in the rhythms of swing, Appalachian folk, bluegrass, Dixieland jazz or country-blues. Music from roots, which meets Bill Monroe, Jimmie Rogers, Willie Dixon, Doc Watson, Skip James and the street orchestras of New Orleans, presented with class and a great dose of love for those times in which he plunges, as demonstrated in previous albums such as Marmalade or Beat, Move & Shake.Produced by Jimmy Sutton (best known for his work with JD McPherson) this “Something in the Water” marks a new milestone in Pokey's career. The album includes a dozen songs that he plays with a lot of contributors like NRBQ, the Fat Babies, the Modern Sounds, and the Western Elstons. Review: Pokey Sings and Swings - Pokey La Farge is no longer a niche artist, but one dragging the mainstream closer to his peculiar brand of American roots music. There are changes here, not all of them positive, but Something In The Water does not let down the side. Improvements - Pokey is the star here, as in Central Time, with his voice front and centre. This is his best recorded singing. There is more attention to production, arrangements and background singing, even than the superb Central Time.The musicianship is great, but by no means showy and overbearing. The songs are bright and breezy, and there are no real duds. Less good is the song quality - it is not up to the standard set in Central Time, nor is it as good as in his debut album. The standouts this time are the drum boogie 'Underground', the adored ballad 'Cairo Illinois' (also on a very early effort) the strange 'Goodbye Barcelona'. My favourites are the title track and 'The Spark', which is like a 1950's track, very commercial and thus, very unusual for Pokey. Not only is the album 'old timey' but so are the male/female sentiments, which play the angel/ devil game too often to be an accident. 'Bad Girl' and 'When Did You Leave Heaven' are just two of at least four examples of this. But this record will sound great live, and that's where the money is. Pokey is very assured live these days, and with his expanded band, these tracks should sound spectacular. If you have not seen him live, you're missing something. Probably 4.5*, but desertcart is not that subtle. Review: amazing - recently discovered Pokey... currently working my way through his back catalog. This is a recent enough album, and it is just superb. Country mixed with blues with a bit of soul and gospel ... and that voice. Between him and Orville Peck, I am listening to either one or other of their records. Love it.
| ASIN | B00SSL4ERS |
| Best Sellers Rank | 67,131 in CDs & Vinyl ( See Top 100 in CDs & Vinyl ) 53 in Contemporary Blues |
| Country of origin | Austria |
| Customer reviews | 4.7 4.7 out of 5 stars (394) |
| Is discontinued by manufacturer | No |
| Label | Rounder Records |
| Manufacturer | Rounder Records |
| Manufacturer reference | CDROU3691 |
| Number of discs | 1 |
| Product Dimensions | 14.1 x 12.5 x 1.19 cm; 92.13 g |
T**R
Pokey Sings and Swings
Pokey La Farge is no longer a niche artist, but one dragging the mainstream closer to his peculiar brand of American roots music. There are changes here, not all of them positive, but Something In The Water does not let down the side. Improvements - Pokey is the star here, as in Central Time, with his voice front and centre. This is his best recorded singing. There is more attention to production, arrangements and background singing, even than the superb Central Time.The musicianship is great, but by no means showy and overbearing. The songs are bright and breezy, and there are no real duds. Less good is the song quality - it is not up to the standard set in Central Time, nor is it as good as in his debut album. The standouts this time are the drum boogie 'Underground', the adored ballad 'Cairo Illinois' (also on a very early effort) the strange 'Goodbye Barcelona'. My favourites are the title track and 'The Spark', which is like a 1950's track, very commercial and thus, very unusual for Pokey. Not only is the album 'old timey' but so are the male/female sentiments, which play the angel/ devil game too often to be an accident. 'Bad Girl' and 'When Did You Leave Heaven' are just two of at least four examples of this. But this record will sound great live, and that's where the money is. Pokey is very assured live these days, and with his expanded band, these tracks should sound spectacular. If you have not seen him live, you're missing something. Probably 4.5*, but Amazon is not that subtle.
P**O
amazing
recently discovered Pokey... currently working my way through his back catalog. This is a recent enough album, and it is just superb. Country mixed with blues with a bit of soul and gospel ... and that voice. Between him and Orville Peck, I am listening to either one or other of their records. Love it.
D**3
Ill have what Pokeys having
Not sure how your other reviewer can give this album 5 stars and then say it's not as good as Pokey's previous efforts, but they are right in proclaiming that these songs will work well as part of Pokey's live set. Pokey and his band are extraordinary live. I think you'd be hard pressed to find a weak song on this record (unless old time music doesn't float your boat) but I also think it shows the worth of expanding his band although some will claim change is good. I think its extraordinary good record but with some surprises.
F**)
Great album & delivery
Have enjoyed this Pokey F CD only occasions. Great music
W**D
Check this guy out....
First heard Mister LaFarge on the radio recently (Bob Harris Country). He is definitely different and great to listen to. If I were to sum this album up then its seems appropriate to quote from one of the songs on the album "Take a jazz band with a country beat, it's Midwestern swing for your dancin' feet". I can definitely recommend Pokey Lafarge. No nonsense music which I just love. You might check out Wayne Hancock while you're at it - Tulsa is a really good album - more no nonsense music.
B**Y
Super Lush Sound
If you know LaFarge you will enjoy this album. If you don't know LaFarge, be warned, this is not your usual Top of the Pops nonsense. This is a well written, nicely produced, slick mid-western swing album. Pokey has the image to match. So put it on, sit back and slip into another time, with a nice glass of Irish whiskey!
A**Y
The wit of the music is matched by the brilliant lyrics. To my untrained ear the backing musicians ...
I've just listened through Something in the Water for the first time, all the while referring to the accompanying lyrics. Couldn't stop grinning. The wit of the music is matched by the brilliant lyrics. To my untrained ear the backing musicians are high quality, too. Finally, more smiles for the chorus. What an album!
H**G
1920's and 30's revamped to modern listening if you like songs in the vain of jazzy blues al la ...
1920's and 30's revamped to modern listening if you like songs in the vain of jazzy blues al la "i can't give you anything but love" or " minnie the moucer" this is a gem of fresh songs in that style. Brilliant.
J**E
Escuché alguna crítica sobre este disco y no me ha defraudado. Todo muy correcto. Llegó correctamente y en el tiempo indicado. Pensaba regalarlo para Reyes, pero no pudo ser. Pienso que al tratarse un producto de importación, el tiempo del envío es mayor.
K**A
Very cool sound, bought it as a Christmas gift for someone.
L**I
Riecco l'adorabile "steamboat folk" di Pokey LaFarge, ragazzo del 1983, che ormai da qualche anno è fra i migliori "neo revivalisti" della musica americana. Esordisce nel 2006, ma solo a livello locale, in Missouri, stato d'adozione, è infatti nel 2010 che comincia a farsi notare con il notevole "Riverboat Soul", che definisce chiaramente la sua idea musicale e ne traccia il percorso fino ad oggi, a questo bel nuovo disco. La musica di Pokey è localizzabile nel blues dell'anteguerra, nello swing, nel ragtime, nel folk di Jimmie Rodgers e, insomma, in tutto quell'universo musicale che ha attraversato il sud degli Stati Uniti fra gli anni venti e trenta, e che, ciclicamente, viene riscoperto dalle nuove generazioni. Dopo l'omonimo disco del 2013, forse il più ambizioso, prodotto da Ketch Secor, il leader della formazione più importante del revivalismo folk di questi anni, gli Old Crow Medicine Show, e solo parzialmente riuscito, Pokey torna a fare le cose di testa sua e confeziona un disco sicuramente migliore. Se si esclude la copertina, davvero orrenda, il contenuto è puro Pokey LaFarge, anche se c'è qualche deviazione dal suo classico stile: in alcuni brani, il musicista di Bloomington diventa un folk singer (quasi) puro, abbandonando il tipico swing dei suoi brani, e in "Goodbye, Barcelona", confeziona un brano spagnoleggiante che poco ha a che spartire con il suo background. "The Spark" è addirittura un tentativo di pop folk (quasi) moderno. Per il resto, c'è tutto il LaFarge che amo di più, zigzagante fra il dixieland e lo swing e il puro divertimento. Ad oggi, Pokey, non ha mai deluso le mie aspettative e non si è fatto mai tentare da produzioni commerciali, non ha mai tradito il suo suono. Un punto in più, per un disco fra i più godibil del 2015.
R**K
A great way to become introduced to the musician. I learned of the musician from YouTube and wanted to hear more.
W**Z
für Fans und solche die es nach dem Hören werden
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