Behringer B-5 Gold-Sputtered Diaphragm Studio Condenser Microphone with 2 Interchangeable Capsules

Very impressed with this microphone for the price. It produces a clear, detailed sound and works really well for vocals, instruments, and general recording. The build quality feels solid, and having the different pickup pattern options makes it very versatile for different uses. It performs far better than expected at this price point and is a great choice for anyone wanting a reliable studio mic without spending a fortune. Highly recommended.

Good microphones are expensive. These inexpensive Behringer mics represent the best quality you can get at the low price. Their real strength is in the omni capsule. If you plan to use only the cardioid capsule, these don't offer a huge advantage over the C-2 which is about half the price. The manufacturing quality isn't amazing - the stickers were peeling off mine on arrival but the mics are metal and feel good in the hand. They perform nicely and they come with a hard carry case, wind shield and mic holder. If you're new to "proper" microphones, be aware that these require phantom power to operate. Make sure your mixer / preamp can offer phantom power.

Bought this microphone to use with Church PA system as previous Dynamic microphones did not have such good range at Lectern. This microphone gives a really clear sound and is competitively priced for the quality!

Used mostly for distant ensemble work, grand piano, and classical guitar, both cardioid and omni. (I also use QTC40, ATM450, KSM141, KSM137, and MKH30 for M/S). The electronics and sonic quality far exceed the price, but sadly the threading is too poorly cut to make the mics trustworthy unless permanently attached. Not all capsules will not fit on all bodies. Much better mics than the C-2 (barely usable) and the C-4 (basically useless). Good spare mic if your better mics are tied up or left home for safety. Has to be one of the best starter mics for small budgets. Much more consistent than the MXL604.

Excellent sound recording using omnidirectional module during studio sessions Haven't tried other module as yet.

It's OK for the price. Ideal as an overhead or cab mic on a budget.

Bought as an alternative to my AKG D5. Used with a Zoom H4n, with phantom power enabled, it has significant self noise. The noise is only apparent with the B-5, and drops when the microphones attenuator is switched on, it's definetly a mic issue. I'll be sending this back.

Since I wrote the original review (see below) I've bought another of these excellent mics and now use them as a stereo pair. I am very pleased with them. I mainly use them for recording vocals into my Boss BR600 recorder, and that allows me to use the built in stereo effects. I find them much sharper and clearer than the BR600's built in condensor mics, plus it's nicer to sing into proper mics on a stand rather than half-leaning over the recorder. Somehow the more professional vision of a pair of proper mics in front of me spurs me on to make a better performance. I have also used one of them pointing at my strumming/plucking hand whilst playing my electric guitar. This allows me to record the plectrum noises and a little natural sound from the strings. I then mix that track with the main guitar track (with the effects on) to introduce a slight amount of strumming noise. The result makes the recorded sound seem more like what I actually hear whilst playing; it adds a sharp natural atmophere. ORIGINAL REVIEW: I just got one of these mics yesterday, so this is a 'first impressions' review. It came in a hard plastic case that has proper hinges (not just bendy plastic), a carrying handle, and a plastic catch. Inside, the bottom has a foam insert that has cut out spaces for the mic, the other head, the windshield, and the stand adapter. The top half is full of black foam. The case is described as rugged, but that is maybe a slight exageration. It is fairly rugged, but certainly isn't a flight case; it is just a stiff plastic box but the foam interior provides plenty of protection. The stand adapter holds the mic firmly, and has a thread adapter too. The two heads are interchangeable and simply screw on and off. One of mine fitted a bit better than the other, but both are ok. (The second one I bought included two perfectly fitting heads!) The switch for the pad and low frequency roll-off, is positive and feels good, and the xlr connector felt positive as I plugged in my lead. The instruction book was very helpful and informative. It also included handy advice about the proximity effect on sound, and equalization. (The closer the mic is to the sound source, the more lower frequencies it will pick up. So the tone can be altered by moving the mic towards or away from the sound source.) Soon I will test it through my mixer and then try recording some vocals, some acoustic guitar, etc. with it. (but there is too much to do in my day job at the moment).When I have more fully tested it, I will return and add more to this review. But so far, I am pleased with it.

B-5は低域から超高域まで良好。無指向性カプセルをつけると音質は最強になります。超低域をさらに豊かに拾います。この価格でこんな良い音が録れるのかとびっくり。 安価なC-2も気になって買いましたがC-2は高域に妙に強いスパイスがあってキラキラして良いのだけど、キラキラが邪魔なときもある。ハイエンドもローエンドも急に弱くなる。 私はもっと高いリファレンスのマイクを持ってないのですが、これでいきなり十分と思えてしまいます。B-5はこの価格にしては神マイクなのではなかろうかと思っています。

The price is on the lower side of the middle class (which I would define as EUR 50 to 300), but the performance (in terms of noise, e.g.) clearly is on the top side of middle-class microphones. Definitively recommended!

Los utilizo como overheads de batería y brindan una gran calidad y nitidez de sonido

w porządku

Le Behringer B-5, c’est un peu comme un grand cru à prix discount : on s’attend à quelque chose de basique, et on se retrouve avec un micro qui fait bien plus que son prix ne le laisse penser. D’abord, on parle d’un micro à condensateur avec une membrane plaquée or, donc oui, ça sonne sérieux. Il capte les détails avec une précision redoutable, parfait pour l’enregistrement de voix, d’instruments acoustiques, et même des bruits suspects dans l’appartement voisin (mais bon, ça, c’est une autre histoire). Il est livré avec deux capsules interchangeables (cardioïde et omnidirectionnelle), ce qui permet d’adapter la prise de son en fonction de l’environnement. C’est un peu comme avoir deux micros en un, sauf que vous ne doublez pas l’addition. En bonus, il a un filtre coupe-bas et un pad d’atténuation -10 dB, histoire d’éviter les enregistrements qui saturent dès que quelqu’un éternue à côté. Évidemment, ce n’est pas un Neumann à 3000€, mais pour le prix, il fait clairement le job, et même plus. Si vous cherchez un micro abordable qui capture le son avec clarté et précision, sans vous ruiner, le Behringer B-5 est un excellent choix. Et en prime, il brille un peu avec sa capsule dorée, histoire de donner l’impression que vous avez du matos de luxe sur votre bureau .