Behringer ADA8200 ADAT Audio Interface with MIDAS Preamps, 8 In/8 Out, and 24-Bit Conversion

As a company, Behringer are fast earning themselves a reputation that most of the world would want to avoid. . It's one thing to steal ideas and then sell a cheaper version. . And it's another thing to make loads of charitable promises that they have yet to follow up on even years later. . But it's hard to believe that in 2023 a German owned company made a series of jokes and negative comments about a rival company that blatantly played on the rivals Hebrew heritage. . That aside, when i wanted something that does what this does, absolutely everything else i saw was more than double the price. I could afford this, it works well, and (so far) has given me zero issues (unless you count my conscience). .

The pres sound great at any price - perfectly good sound for silly money - dirt cheap 8 channels to add to my UAD Apollo 8. Synced via UNC cable so didn't have to use the ADA8200 as master clock.

First one was damaged, the plastic cover of the ADAT port had broken off and the ADAT cable wouldn't clip in. Replacement unit works OK and is pretty solid for a cost effective solution for more in and out ports. I do still think the ADAT ports could be a bit more robust. Still for the money, it's good value and does its job.

Brilliant. I have an Audient ID14 mk2 that I love . Great conversion and preamps. I have just bought a Behringer RD6 and wanted more inputs to record the individual outs. I was worried that the Ada 8200 would have poor conversion but I have been pleasantly surprised. Despite much lower dynamic range, the recordings sound great. I haven’t tried to preamps yet, but for my needs it is a perfect way of cheaply expanding the inputs on the Audient. Highly recommended..

Good quality item. With midas pre amps

I bought this to replace the previous model which started to get noisy after about 10 years of use. I looked at alternatives but this model does the job perfectly for a great price so I bought it. The pre-amps are improved and the power supply is upgraded too. Highly recommended.

Having a Sapphire Liquid 56 I just wanted to take advantage of ADAT and add an extra 8 input channels. Yes it is only 24 bit at 48 kHz so nothing seriously pro about it, but then neither is the price and its only for "extra channels" should I ever need them. Looks good worked first time and does what its supposed to.

This is my second unit. The first one lasted about five years and then wouldn’t power on. I changed the fuse but still didn’t work. So I bought this one to replace it. Seems fine and identical to the first one. It isn’t top quality but is pretty good and you get more than you paid for. I use it to extend channels via ADAT

Aunque a muchos no les agrada la marca, cumple con su función, sobre todo la lineas activadas con el phantom, pues esto le da un realce de potencia sin subir a tome la ganancia.

Den funkar klockrent!

Precio calidad es perfecto. Una manera barata de ampliar las entradas de tu tarjeta de sonido, siempre y cuando tenga entrada óptica.

I'm a “one man band” Multi-Instrumentalist operating out of a well-equipped home studio, playing and recording each instrument individually. It's not unusual that one of my productions consumes 25 tracks or more. My previous recorder was a standalone Tascam DP-32SD. Although this is a great unit for home studio starters, following the actual recording I had to export tracks, transfer them to my PC via USB, then mix/master the completed song using my Windows-based DAW. While this worked okay, the process was getting to be quite the tedious hassle, not to mention the fact that REAPER (in my opinion, the best DAW on the planet) has so much more recording function than the Tascam standalone it's almost unbelievable. That said, I decided to purchase a Behringer UMC1820 and give direct-to-DAW recording a try. Man, the difference was like night and day, especially sampling at 48kHz/24-bit. Plus, all of the required post-processing work I previously discussed is now a thing of the past. The only remaining problem was, I use 8 drum microphones. This required cabling my mixer to one of the UMC1820 inputs to accommodate the 8th sub-kick drum microphone, and all other instruments. So, I took it a step further, purchased a Behringer ADA8200 and attached it to the UMC1820 as a slave using Toslink fiber cables, providing me with 8 additional inputs. I should note that Windows and REAPER immediately picked both interfaces up without the need to install any additional drivers whatsoever... They're truly plug-and-play. To avoid being redundant and going over all the features of these two excellent interfaces which are already listed on their product pages, I think it would be much more beneficial to continue discussing my personal experience with them, along with the end results. This configuration has allowed me to totally dedicate the UMC1820 to my drum microphones, and use the ADA8200 for all other instruments. I was also able to keep my mixer involved by cabling it to one of the inputs on the latter interface. I then topped the whole thing off by mounting them both in a “Procraft 2U 9" Deep Equipment Rack”. This is one super-high quality rack, and an incredible value: https://www.amazon.com/gp/product/B01CDG8QLI/ The bottom line: Between these two interfaces I now have 16 MIDAS pre-amplified XLR/TRS inputs fed directly into my PC with all controls at my fingertips, sitting directly under my DAW displays (see photo). Most importantly, I'm able to take full advantage of REAPER's myriad of recording functions, which completely blow the Tascam standalone recorder away. If you're thinking about using direct-to-DAW recording, this combination absolutely can't be beat for the money. The only regret I have is, I'm kicking myself in the butt for not going to A/D interfaces long ago. Look up my latest song “May You Never” on SoundClick, and judge the sound for yourself. In closing, these Behringer interfaces have exceeded my wildest expectations. I can certainly say without hesitation they're deserving of my highest recommendation, and if I was able would rate them both at 10 stars in a heartbeat.

入力/出力が直結出来る 光ポートのIB/OUTを1本のTOSLINKケーブルで接続すると 入力→内蔵プリアンプ→A/D→光出力→光入力→D/A→出力となりました クロックは44.1KHz設定 ファントムは8点一括で入切となるのが残念