LEKATO 5.8Ghz Wireless Guitar Transmitter Receiver, Strong Anti-Interference Instrument Wireless System,Digital Audio Cordless Guitar Bass System High Frequency for Electric Guitars, Bass(WS90)

Looks good and according to my Son it does exactly what it's meant to. Plug them in replacing the old cables, easy to setup and good sound quality and if other members of the band are using the same piece of kit he tells me they can switch channels.

I use these in a Roland SPD One Kick Pad (drum stomp box).I got two sets, one set comes to the gig, the other stays charged at home.I keep the units in my guitar case, my guitar comes right into my living room post gig, the rest of the gear is locked in a store.Soon as I’m home, the after gig (spent) units go on charge and the freshly charged units go in the case.My gigs are 3hrs on average, although the units are probably 'on' for around 3.5 hours at a time.I’ve had no problems whatsoever with signal loss or power running out.The body is small enough and swivels far enough on the jack that it’s easy to plug in without any 'fitting in' issues for my set up with a floor based transmitting source and a pa mixer as a receiving source.The jack plug is metal as per standard, the body is hard plastic.They’re not built for the casually rough handling that a lot of gear gets over time, they’ll last if you look after them.The on/off buttons have a slightly loose (rattley) feel but lock in either position firmly enough.They are very very simple to use, nothing complicated at all.Insert the transmitter in your audio source (guitar, kick drum, flugelhorn) and the receiver in your amp or pa mixer, they’re marked as ‘transmitter ' and ‘receiver’ so it’s very simple, the two pair up automatically in seconds indicated by a row of four little blue lights, when the blue light on the receiver 123 or 4 matches the blue light on the transmitter they’re ‘paired’.You’re good to go.Also:There’s four selectable channel’s so it’s possible to manually switch your transmitter on your source (eg guitar) between four separate audio outputs (eg amps) if that’s something you want to do, though you’d need four ‘receivers', each one manually set to a different channel on each amp.You could presumably transmit to several amps/mixers at the same time, each one with a receiver set to the same channel as your transmitter if you’ve enough 'receivers'.You can also use four paired sets at once for different instruments.I’m very happy with mine. 👍

I tried just about every one of the wireless systems under £100 on Amazon and although it's at the top end of the price bracket this was the ONLY one which didn't seem to have any latency issue or adversely affect the sound (was a reasonable match with my cable and my line g10 system.I've gigged it a few of times now and it's worked every time. I've had to turn it off and on again or change the channel a couple of times, but I've never had to go back to the cable.The downsides of this unit are that it's pretty flimsy I feel like if I drop it or step on there's a good chance I could break it (so keep it away from your bass player). It's the biggest of all the units I tried and that combined with the fact that the flexible joint is pretty loose means it can be a bit awkward. It's not too bad with an edge jack socket like a Les Paul but it's a bit clumsy for front sockets like a Strat. If you had one of those upside-down front sockets, it could be annoying.Overall though it's good value for money.Although not a problem to me or unique to this unit, one thing to note/be aware of is that I think these systems are basically buffered. I tried changing the impedance settings on my Helix (just out of interest) and unlike when I'm using a cable it has ZERO effect. As I use a Helix I wasn't testing straight into an amp but I suspect that if you're relying on (or used to) your cable to take off some of your high-end (ALA the Brian May curly wire) then if you switch over to one of these you might get a shock because its basically like using a buffer and a whole load of top end you might not like could appear - but that's not the fault of the unit just a generic buffer behaviour.

I have bought a couple of other cheaper wireless pick up / receivers in the past, and I was a bit unsure if this would surpass them in quality.It arrived quickly in a nice box, together with a little cloth carry bag, and a USB cable to charge both (USB C) at the same time, if needed. The units are plastic, and built with a nice sturdy feel, and yet not heavy. They are nicely designed, and even have a little rubber pad on one side, to help guard against any accidental knocks or scrapes. The units arrived already paired, and charged. I plugged them in, and switched them on. The receiver went into my digital mixer, and the sound quality seemed (to me) more full and pleasing than using a cable. As you can see from the picture, the transmitter fits nicely into the violin, in fact it almost seems like they were specially designed for each other! I am yet to take it out on the road, but will do so tomorrow. I don't yet know what the battery life is like, but it's supposed to be about 8 hours use, and 1 hour charge time, which is more than adequate for the average musician. Overall I feel this is a good choice!

These work great out of the box, simply plug and play. Tone is fine and minimal latency (lag) noticeable, if any. No interference experienced. Good product for the price.

Great little wireless device for cheap. Just found out that the receiver has trouble keeping a charge.Good for bedroom players but not reliable enough for live. Luckily for me the drop out happened at the rehearsal and not the show.

As the title says:These work great for bass guitars and after trying a slew of 'wireless' using all methods from UHF - RF etc they all lacked in the lower frequencies and those were 'made for bass guitars' and not the standard guitars / semi-acoustic etc...I'm super fussy about cables and all audio components and even more picky when it comes to instruments and having the right gear for the right job and so shunned anything Bass wise due to that missing something or the real delay (not perceived but actual) using other units akin to these.I wanted something for my kitchen rig (Yes, I have a cab / head and a 6 string in my kitchen by my laptop for those inspirational moments) that meant no more tripping over cables and actually kept the 'look' more kitchen than studio / stage...Saw these and thought "Hey, if they don't work out I can send them back with a full tech sheet as to why"I can tell you this: These are keepers and actually thinking of investing in 2 or 3 more pairs.Tested range for quality and any delay due to range too... from kitchen (playing) to the rig set up power in the shed at the bottom of a long garden (To the annoyance of my neighbours) and no problems(Distance equates to a stadium stage width).Tested using an Ibanez 6 string Bass with Blackbeauties by DR Strings through an Ampeg PF350 into a 2 x 12 cab containing TurboSound spks and getting all the frequencies required for my kitchen / garden rig.

Compared to the first of this type of product I bought, a cheap and cheerful Gear4Music WGV-601, which itself was a joy compared to previous wired misery in my home studio, this is excellent. At Nov 23 this product was twice the price I had paid for the WGV-601, so I suppose it should be better. But, it is. First there are no wires at all, other than for charging, which is terrific, you can easily swap it from one instrument to another and from one amp/mixer input to another. That other product had a cigarette packet sized transmitter to which you ran a short cable from the guitar and then you had to hook the transmitter to your belt or stick it in your pocket. None of that here. At the receiver end it's just as simple, the WGV-601 receiver was mains powered, about the size of a walkman (yes, I'm that old) and is not quick and easy to swap from one place to another, this is. I have been using the Legato for about a two weeks in a home studio environment where it has worked fine, sounds fine, no noticeable lag and no louds squeals or screeches when plugging, unplugging or turning off or on, again unlike the WGV-601. Battery life, in my environment, seems adequate. It's quite large so if your guitar has a socket on the front of the guitar (e.g. Stratocaster style) that may be a problem. Not five stars for two reasons. First ruggedness and build quality. Although I think this will be fine for my home studio use I'm not sure it would survive the rough treatment it may get owned by a gigging musician. Second, the on-off switch is a slider, a bit stiff and black on a black casing. That means when reaching for it, first, where is it, then I'm never sure whether to slide toward or away from me (the print is small too) and you need to turn it off as it doesn't have an auto-off. A contrasting coloured button would have been better, you know a button has to be pushed and that muscle movement is unambiguous. I can't comment on how well it works in an environment with several other musicians using similar equipment. Overall very happy with it.

Per ora usato 2 volte1 In prove ed una liveSi è comportato veramente beneLa latenza non si sentiva nonostante suonassi pezzi molto veloci funkyPer ora buon prodottoVediamo come si comporta tra qualche mese

Después de probar muchos este si me funciona sin interferencias.

Sehr, sehr guter Kabelersatz für kleines Geld!Was der Unterschied zwischen einem Wireless System und einem Kabelersatz ist? Komm ich gleich drauf.Erstmal die Fakten...Verpackung:Das Packet in sich ist sehr sparsam, passt theoretisch in die meisten Gigbags. Und auch der Karton ist von der etwas langlebigeren Sorte. Dennoch habe ich den Karton gegen eine Plastikbox ausgetauscht.Geräte Design:Beide "Bugs" sind identisch groß und nur durch den Aufdruck zu unterscheiden. Wer sie nur zuhause und im Proberaum einsetzen will um Stolperfallen zu vermeiden wird keine Probleme haben. Wer sie aber live einsetzen möchte, in Hektik, mit schlechten Lichtverhältnissen und Leute die einen ständig nerven, der sei gut beraten sie extra zu kennzeichnen, den anders als Kabel funktioniert die Kiste nur in eine Richtung.Noch ein Wort zum Design. Ich spiele div. Gitarrenmodelle unter anderem auch Ibanez Sabre und Xiphos wo der Outputjack extrem tief im Body sitzt, selbst da passt der Bug. Ich denke bis auf sehr abgefahrene DIY Designs müsste die Funke mit jedem gängigen Gitarrenmodell funktionieren.ABER: ich mag es nicht wenn so ein Bug am Korpus meiner Gitarre entlang "dengelt", abgesehen davon dass wir hier von recht günstigen Plastik sprechen das schnell durch Stöße und Co kaputt gehen WIRD sieht das einfach scheiße aus. Ich empfehle jedem grundsätzlich ein Breakout Kabel zu löten. Ich hab für meins eine verriegelbare Klinkenbuchse und eine Silent Klinke genommen. Der Bug wohnt während des Gigs in einer Gürteltasche, fast wie ein Beltpack bei den hochwertigen Systemen.Sound:Der Basser und ich haben die identischen Geräte und hatten 0 Probleme auf der Bühne. Kein Signalverlust, keine Aussetzer, kein Übersprechen. Nix!Ich gehöre leider nicht zu der Fraktion die den Unterschied zwischen einer AAA Riegelahorndecke und einer AAAA Wölkchenahorndecke hören kann, aber dafür werde ich nachts auch nicht vom dem Krach wachsenden Grases wach gehalten. Und für mein Ohr hab ich keinen Unterschied zwischen der Funke und meinem Kabel (6 m Sommer Cable 0,70 mm² Innenleiter) hören können. FALLS es einen Unterschied gibt ist er so minimal dass er Live eh keine Rolle mehr spielt.Akku:Nach über 5 Stunden Dauerbetrieb ohne Ladephase musste ich mein Gepäck für den Gig packen und hab die Funken dann wieder voll aufgeladen. Ich glaub die 8 Stunden kann das Ding schon schaffen.Also wenn man nicht gerade einen 3 Stunden Headliner Gig in der Wembley Arena spielt, kann ich mir auf dem Amateurlevel kein Szenario vorstellen wo es mit der Akku Ladung knapp werden könnte.Ich empfehle dennoch die Funke vor dem ersten Gig einmal komplett voll geladen zuhause wieder leer zu spielen und die Zeit fest zu halten. Das schafft Vertrauen ins Equipment und macht einem etwas die Birne frei auf der Bühne wenn man weiß, man spielt 60 min und die Funke am Gürtel schafft das 8fache.Warum ist das jetzt doch nur ein Kabelersatz?Bei einem System kann man mehrere Sender auf einen Empfänger routen. So kann man jedes Instrument mit eigenem Sender versehen und das ganze wird eine (stabile) Einheit. Hier muss man den Sender von Instrument zu Instrument wechseln. Wie bei einem herkömmlichen Kabel eben.Aber hey, ne kabellose Freiheit für nen schmalen Taler.Ich werde meinen Bericht ergänzen wenn ein paar Dutzend Gigs dazu gekommen sein werden, dann kann ich was zur Langlebigkeit sagen und ob es Szenarien mit Ausfällen gab.

Premier essai sur une répète générale de 6hsans recharge (mis sur off pendant les pause)2 ème essai en concert sur une scène plein air d environ 90m2 et d autres musiciens utilisant des sans fil (Public environ 800 personnes)J ai pu me déplacer sans encombres a une 15aine de mètres de mon pédal board. Résultats aucun problème, ça marche bien, pas de latences, pas d interférences m, pas de bruit chelou, ni de coupures.C est mon premier dispositif sans fil, j ai pas voulu mettre trop cher pour tester un sans fil avant d investir dans un "vrai HF"Bah je ne vais pas investir, je vais garder ce LEKATO il convient parfaitement à mon utilisation.(1 répète par semaine et une 10aines de concerts par ans).

Colorea un poco la señal pero lo demás muy bien