Product Description

The evening news usually depicts Israel as a country dominated by conflict. As a result, most outsiders have little insight into what daily life is really like for its inhabitants. Comprised largely of immigrants, modern Israel is home to diverse groups of people who have come from around the world to settle in this cultural melting pot. Jews, Arabs and Christians live and work together peacefully in Jerusalem, a city whose ancient history and mysticism are held sacred to all three religions.

Nowhere is the diversity of Israel more evident than in its music. A beguiling fusion of European and Middle Eastern melodies with other elements from the vast Jewish Diaspora, Israel's music reflects the multiple influences of its inhabitants. Putumayo Presents Israel is a collection highlighting a new generation of Israeli musicians who transcend the political strife depicted on the evening news. From Yemenite chants to Jamaican reggae, this collection represents some of the diverse sounds impacting the popular music of modern Israel.

A portion of Putumayo's proceeds from the sale of Israel will be donated to Latet - Israeli Humanitarian Aid, in support of their efforts to provide assistance to needy populations in Israel and around the world and to A New Way, which strives to develop tolerance, friendship and cooperation among Jewish and Arab children and parents in Israel.

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Home to an already diverse and sometimes fractious population, with additional settlers arriving every day from Europe, the Americas, and Africa, modern Israel is one of the world's most cosmopolitan, colorful and inclusive musical melting pots. As new arrivals have made their mark, centuries-old Hebrew and Arabic sources have been joined by African, American, and Caribbean grooves, along with cutting edge electronica and quotes from various urban art-song traditions. For example, other than the language, Rona Kenan and Gidi Gov's "Ha'rikud Ha'muzar Shel Ha'lev," with its waltz-like tempo and accordion-laced back-up, would sound completely at home in a Parisian café, as would Tea Packs' "Vehapa'am Shir Ahava," with its graceful vocal curlicues. "Srochim," by revered folksinger David Broza, is redolent of the artist's extended sojourns in Spain and the USA. Meanwhile, Hadas Dagul's "Seret Eelem" reflects his homeland's long-standing love affair with Brazilian bossa nova. Several artists are making an effort to work with and reach out to both established and emerging local communities. Amal Murkus, a Palestinian from Galilee, has incorporated age-old folkways into her mix, and Idan Raichel has established warm collaborative ties with immigrant musicians from Ethiopia, creating a polished, homegrown brand of pop. It's astonishing that such a tiny nation could harbor so many voices. But isn't this exactly as it should be? --Christina Roden