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Award-winning Catalan filmmaker Albert Serra has established himself as one of the most original and iconoclastic voices in contemporary cinema. His deliciously eccentric film The Story of My Death (winner of the prestigious Golden Leopard prize at the 2013 Locarno Film Festival) imagines a meeting between the ageing Casanova and Count Dracula to chart the collision between the eighteenth century of Enlightenment, rationalism and libertine sensuality and a nineteenth century founded upon Romanticism, obscurantism and violence. "Story of My Death is a singular work, and its originality is apparent in every frame... This is a film of dazzling vitality and animation" The Village Voice "Story of My Death is a truly esoteric and unique work, something contemporary, yet totally free of constraints of time and space. The trappings might be historical and mythical, but [Serra's] playground is cinematic language" CinemaScope "Vivaciously minimalist but visually breathtaking, it's a rarefied cinematic luxury" Melbourne International Film Festival Extras: 'Cuba Libre' - a short film by Albert Serra. All new HD digital transfer Special Features: Booklet essay and interview
D**P
Steaming Pile
The resolute few who make it as far as the moment where our hero is seen straining on a commode will find an appropriate metaphor for their labours, Story of my Death is an interminable sitting for little of value.From the outset our director shows a cool indifference to audience expectations, we at first linger over a dimly lit group of diners chewing and muttering inaudibly which sets the tone and pace for the following two and a half hours. Connoisseurs of the brooding silence will no doubt be appeased as we find here an extraordinary amount of screen time without meaningful sound, the effect is intriguing to begin with but once the gratuitous nature of these interludes is apparent we turn to frustration.It's long established in theatrical lore, the simplest way to animate a scene is to occupy hands with a prop or food item, so it comes as no surprise to find our cast relentlessly eating over dialogue. Throughout the film we are made to wait for lines, if not due to speech between mouthfuls then it's the exasperating torpor of our principle actor who seems to believe he's doing us a great service to participate in the least.For those seeking the dubious satisfaction of watching the most excruciating, pompous episode in modern cinema there are only rare moments of outright hilarity to be savoured, our actor playing Dràcula lets forth the occasional primal scream which offers reward to some degree. However, the genuine light relief comes when music is heard, several period classics and some striking original compositions are added to great effect, though these invigorating moments are rationed to few and far between.To suggest the film is in need of cuts to it's grandiose two and a half hour reel is perhaps an understatement, the task would surely test the patience of Zorro himself -and once the grand silences are discounted we may yet find precious little is left.
J**D
Serra's only film I liked.
Genuinely enjoyed this film. Has a curious and unique feel to it. Would not recommend it if you are looking for entertainment though. More of an arthouse film.
C**E
it's beautiful, I can't say the same about the movie
the cover for this caught my attention, it's beautiful, I can't say the same about the movie, excruciatingly dull, I managed to get through an hour, having stopped it twice, the scene with the old man defecating proves nothing, and not a single sympathetic character ...... I'm off to pour a jug of wine over a goose carcass .... darling.
D**H
Five Stars
excellent
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